tumblr3d:

Nightcrawler by Victor Hugo Queiroz from Brazil

quietsnooze:

Pushing Daisies character portraits :)

Expect these as buttons for my shop and to debut at Fan Expo next month!

argcomic:

Drew some Burnside Batgirl fanart! Love this new design.

radiomaru:

halfglovepunch:

Some Lis fanart for radiomaru’s new book Seconds.  

:0

roseycheekesblog:

ConBravo! Come join us!

Adorably cute buttons, shirts and much more will be available this weekend at ConBravo in Hamilton.

theblacklacedandy:

fencehopping:

Tim Burton received this handmade cake from his animation team and it’s basically the coolest shit ever.

THIS MAKES ME SO HAPPY

johndarnielle:

saladinahmed:

So apparently, this is a thing: Greenscreen-clad workers who secretly flip models’ hair during shampoo commercials. (via @makingofs on twitter)

if they would leave the mummy in the commercial I would be 200% more likely to purchase the product

adrianalikestea:

I was feeling “blah” and needed something to cheer me up, so I joined the Batgirl fanart bandwagon and drew my own.  I feel much better already :)

Done entirely in Sketchbook Pro 6.0

This is great.

rabbit-troop-sucks:

bronyparctears:

hungrypotatogirl:

chickenmcnuggie:

to the ppl who think they all have the same body type

you forgot someone

and most importantly

Adventure Time really does have some of the most diverse body shapes I’ve ever seen.

spookychan:

beingruth:

gothiccharmschool:

We are the NIIIIIIIIGHT! Really adorable night.

Bat appreciation life.

need bats on my dash, all the times.

cc: doubtingsalmon

graphixbooks:

Ready for Amulet 6: Escape From Lucien?! Here’s a sneak peak of one of the scenes from Kazu Kibuishi (boltcity) PLUS an explanation of how each page comes to be!

First Photo - Blue Line:  While many of the pages in Amulet begin with a very rough and scribbly version of the page, this is one of the examples where I let the art direct me where to go with the dialogue and story. I knew I wanted to draw the large panel of the Colossus being prepared for battle, so I went right ahead and began penciling the page with a blue pencil and added dialogue after the drawings were done.  I use a blue line so that when I go to ink the page, I can cancel out the blue color in the computer and leave only the clean black lines on the page.  This process feels a bit like I’m drawing with invisible ink or pencil.

Second Photo - Inked Page:  I call this the “inking” stage, but what I’m really doing here is using a regular graphite pencil and drawing over a large printed copy of the blue line image.  After the page is “inked”, I scan the image into the computer and adjust the contrast of the penciled linework to make it look more like ink.  Using a pencil is not only easier on my hand, but it creates a nice, flowing line that makes the image look a little bit like it’s moving. This is also the stage where most of the dialogue writing occurs.  The font is one that is based on my own hand lettering, and I just type drafts of dialogue on the inked pages until I feel the dialogue works.

 Third Photo - Colors:  Once the inks are scanned into the computer, cleaned up, and adjusted, we add colors digitally.  Working digitally allows us to paint a lot faster and adjust things much easier than if we painted everything on paper or canvas.  We use Adobe Photoshop to achieve a painted look and feel.  This stage is overseen by Jason Caffoe (jcaffoe), who works with me to establish the colors and settings in the books.  On this particular page, I simply gave Jason notes on what kind of setting I wanted to see, and he established the imagery in the background.  After working with me for so many years, Jason has a good sense of what I’m looking to achieve, and nearly always hits the mark.

sairobee:

michaeljaecks:

A Hannibal sketch from today. I like to use ArtRage 4 for these.

eatsleepdraw:

Adventure through Time and Face“ - watercolor painting.
Signed Prints | Society6 | RedBubble | Facebook | Instagram

cruelvalentine:

americachavez:

William H. Foster III, comic book historian, on representation in comic books. From PBS’s Superheroes: A Never-Ending Battle.

Because a post crossed my dash recently asking why we need to push for more representation in comic books and media in general. 50 years later, this man still tears up because in one panel, Peter Parker spoke to an unnamed black kid. That’s why we need representation.

Weepy.

drhanniballecter:

BRYAN OH MY GOD