actuallykanayamaryam:

lizardsister:

galaxy-eyed-guardian:

asgardreid:

lizardsister:

scott pilgrim straight up killed people though and nobody cared

That’s just how Toronto is

Actually can i point something out? Bryan Lee O'Malley said Scott never killed them. They just were teleported home and had their lessons learned.

thanks after 100k notes not a single other person has pointed this yet ur the very first person

if you die in Toronto you just reappear in your house with a wicked headache

diananock:

sunshinedeertreeself:

didyouknowmagic:

temperamental-cartoonist:

Y’all seriously need to learn to fact check things you see on here.

1.) it wasn’t Disney who turned down Coco but DREAMWORKS. 
and to those who STILL erroneously insist that Disney/Pixar turned down The Book of Life

2.) People getting mad at this:

Marigolds are traditional to our culture as well as to the holiday, ESPECIALLY in petal form. Not the best example but that’s like getting mad at different Christmas movies for using mistletoe.

3.) “Oh it’s the same plot.” Has anyone looked up the plot for this movie other than outright bashing it from the trailer? 
“The footage, raw though it may be, spun a compelling story about Miguel, a sweet kid who loves music despite the fact that his abuelita banned music long ago, thanks to an ancient drama involving Miguel’s great-great-grandfather—a dashing musician—who walked out on the family. That musician, Miguel discovers at the start of the film, is his town’s most famous son: deceased film star and music supernova Ernesto de la Cruz. On the eve of Día de Muertos, Miguel breaks into de la Cruz’s mausoleum in order to borrow the famous skull guitar that hangs there so that he can enter a talent competition and convince his family to embrace music again. Once Miguel touches the guitar, he becomes something of a living ghost. His family can no longer see him, but Miguel can now see all of his dead ancestors—who look like fantastically decorative skeletons—crossing over a bright bridge made of marigold flower petals from the Land of the Dead. Looking for help and answers, Miguel travels to the Land of the Dead—a dazzlingly vibrant, stacked metropolis inspired by the Mexican city of Guanajuato—himself and sets off an adventure with trickster skeletal companion Hector to find the rest of his family, de la Cruz, and the answer to how he can fix this curse.”  
You know how insistent Pixar is on always making original films. So don’t you think that they would continue that?

4.) “But the white director who thinks he knows everything because he’s been to Mexico.” That’s right, a white person who is not of Mexican/Latinx culture can not truly KNOW our culture simply by visiting it. And Lee Unkrich knows this fact. Which why he assembled a group for the sake of making sure the movie is culturally accurate, rather than him taking on that role

you know, a team of actual latinx. Including someone who was a huge critic of Coco, and is a critic of Disney, Lalo Alcaraz. He is most famously known for his response to the action of Disney attempting to trademark Dia de los Meurtos (which will be our next point). It’s not Alcaraz selling out. It’s him working together with the movie so it’s not just Disney trying to bring in more Latinx fans but rather creating what Unkrich’s true mission: “a love letter to Mexico.” This team along with many other Latinx creatives (like Adrian Molina who was originally just a writer and then promoted to co-director) and a fully latinx cast (again, as insisted by Unkrich), are working together to make it a Latinx piece of media. ( http://www.vanityfair.com/hollywood/2016/12/pixar-coco-gael-garcia-bernal-dia-de-los-muertos-miguel )

5.) We all know and got rightfully angry at Disney for attempting to trademark Dia de los Muertos. This was due to the similar original name the movie had. As expected, it received intense backlash to which Disney quickly revoked the request to trademark. Unkrich was the first to vocalize that this was a mistake. This even leading to that point most likely has to do with him being a white man not of our culture, but this humbling experience is what really knocked that message into him and he began recruiting people like the ones in the above point to make sure that the movie itself is true to the people, culture, and holiday, in ways he himself could never fully grasp.

6.) It’s about the Day of the Dead like The Book of Life. My response to this is easy: look at how many movies are there about Christmas, Halloween, Easter, Valentine’s day, Saint Patrick’s day, etc.

7.) Gutierrez himself doesn’t want it to be a competition but as two wonderful films about one aspect of Latinx that will hopefully lead to more in the future.

I love The Book of Life, and is one of my favorite movies if I’m being honest. When it first came out I was filled with such pride and joy for many reasons. One of course for it being a gorgeously rendered film, but for it being such a positive and beautiful representation and celebration of Mexico. As someone who grew up only seeing white main characters, with people like my family and I as only side characters, it brings me such joy to see more media being produced in which Mexicans are the focus along with our culture (which is agreeably much more diverse than what is being tapped into). We still got a long way to go as Mexico is still only one group of Latinx culture, but we are witnessing the stepping stones of Hollywood beginning to reach out and representing this community by working with people of those cultures. The Book of Life will always have a special place in my heart, but I’m not letting my love of that movie keep me from supporting Latinx creators that are putting out Coco. I’m finally getting the representation that I craved as a kid and loving it.

SOMEONE DID THE ENTIRE FACT CHECK YALL DESERVED BLESS YOU

Fact checked!!!

Can’t wait to take my little one to see it.

Coco’s going to be amazing. Fight me.

dreadpirateekre:

ok so let’s talk a bit about jobs vs passion. my last fulltime job was at a big game development studio; the kind of job you’re (supposedly) passionate about. most of my colleagues adored the games we made, and so they didn’t care that the company had a major diversity problem, that our salaries were below average, that we didn’t get overtime compensation yet stayed ‘til 11PM more often than what’s healthy, and that the company promoted an unhealthy alcohol culture. because we were passionate. this was the kind of job you grow up dreaming about; don’t go throwing it away because some colleagues are harrassing you or because you get no recognition for your efforts!

for more than a year I was tired. stressed. in constant pain. my anxiety was through the roof. I worked on these “dream projects” and I felt dead inside.

when I quit that job I started freelancing as a writer. I got some really good jobs. I also got a bunch of small-time, low-paid, “hey at least your name is on it so isn’t it enough to pay 10$ for this text?” kind of jobs.

with the typical millenial housing situation of an apartment that I could barely afford on a fulltime pay and a constant stream of job offers that were underpaid I spent four months doing what I love, while constantly overwhelmed by stress. my insomnia got really bad, and when I managed to fall asleep I would dream about my bank balance. I would dream of losing whatever stability I had left in my life, simply because I couldn’t afford a “normal adult life”.

and so, today I got a job. it’s a fairly standard QA job at a medium sized game development studio. unlike any other game companies I’ve been at they offer humane working conditions. they don’t expect me to show up too early and stay too late because I’m passionate. the hours are nine to five, and they disapprove of overtime. the pay is slightly above average, and I get health benefits. I’ve been through several interviews, and at no point has someone tried to belittle my career or tried to convince me to work for less than I’m worth.

for the first time in many years of my career, I’m happy. I’m at ease. I applied for this job because I wanted to get away from the passionate part of the industry. I wanted a job where I could go home at five and dedicate my freetime to my own writing projects. I wanted to work at a place that didn’t eat my heart and soul and energy as I contributed to projects that wouldn’t even bear my name in the end credits.

so what I’m trying to say is that there’s nothing wrong with having a “normal” job. you’re not giving up on your dreams if you take a job outside your main interests. if it offers stability in your life, it’s enough.

zanabism:

One of Justin Trudeau’s first actions in office was his approval of the sale of 15 billion dollars worth of weapons to Saudi Arabia–one of the worst human rights violators in the world, a country that kills its own dissidents in the streets, and supplies funds and weapons to achieve the mass murder of Shia Muslims and other minority sect Muslims worldwide via terrorist groups–despite promising during his campaign that he would cancel the whole deal altogether.

So I don’t really fucking care that he wore a pink sweater for ‘anti bullying day’ or that he takes selfies with people at the beach or that he listens to the Tragically Hip because there is NOTHING this man can do in his time during office, no promise he can fulfill as prime minister that could even begin to compensate for the human devastation we are about to cause in countries overtly and covertly besieged by the KSA or within Saudi Arabia itself where dissidents and activists are kidnapped, tortured and killed every day.

Stop celebrating the pointless fucking non-victories of his campaign as if they mean something in comparison to the war crimes we are facilitating in Yemen or the indoctrination that we are now funding and complicit in spreading. The Canadian government is no less evil than its notorious neighbour and it’s such a huge disservice that we are selling it and our war-crime-supporting leader as anything but.

enigmaticagentalice:

do you ever think about the fact that there are people who just…don’t like musicals…like, if you asked them if they wanted to see a musical, even a really good musical, they’d be like…’no thanks I don’t like musicals’…they live their entire lives…not liking musicals…getting no enjoyment from musicals…I just think about those people sometimes and I feel so terribly terribly sorry for them…