May 24, 2014 20:19
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May 24, 2014 20:16
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May 14, 2014 13:11
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I think I figured the Batfleck bat-symbol out. #hugitout
May 13, 2014 12:43
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I got a box from The Boxtrolls.
Awhile ago, amazing stop-motion animation studio Laika sent out care packages in support of their film Paranorman. Awesome and interesting folks got boxes featuring real animatronic puppets used in the film. They came in coffins, in dirt, and you had to dig them out. I was enthralled. A massive fan of their film Coraline and of stop-motion in general, I was giddy over this clever, joyful, interactive gesture.
Today, I got my very own.
The Boxtrolls is Laika’s next film, and I couldn’t be more excited. I opened the personally-dedicated packaging to find a whole treasure chest of goodies related to this next project - a secret map to the city of Cheesebridge, where it’ll take place, a decoder box with a cipher (!!!) message, a wonderful letter, some stickers of the awesome art on the box, and an actual manhole cover used in the film. I own a prop!
I was excited for The Boxtrolls, but now I’m positively giddy. Thank you so much, you clever, wonderful wizards.
May 12, 2014 21:09
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ok so I was reading about the tv series Hannibal when I found this. this is the hannibal that deserves a tv series let’s be real
May 11, 2014 22:46
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May 11, 2014 21:50
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tim nooo now you're going to see what a loser i am ;n;
timlai liked this
Octopus Pie? More like Octopus Cry! Just kidding. Intensely liking Octopus Pie only makes you cooler in my eyes!
May 11, 2014 17:27
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May 10, 2014 01:05
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IT'S ALL HAPPENING
EVERYTHING IS WILL GRAHAM AND NOTHING HURTS
May 7, 2014 21:12
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My new book SECONDS is out July 15. Preorder it now wherever books are sold!!!
http://www.randomhouse.com/book/212682/seconds-by-bryan-lee-omalley
Yup yup
May 7, 2014 11:24
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May 5, 2014 12:54
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I feel like there are probably too many people just scrolling past this so let’s go through everything that’s going on here.
1. With Roger’s voice actor standing off camera, Bob Hoskins acts into empty air and frantically sawing at his handcuff, continually looking up and down at different visual marks of various depths. Look at the slow pan up of his eyes in gif 4, and then the quick shift to his side. Think about how, on set, he was looking at nothing.
2. Starting in gif 2, The box must be made to stop shaking, either by concealed crew member, mechanism, or Hoskins own dextrousness, as he is doing all of the things mentioned in point 1.
3. In all gifs, Roger’s handcuff has to be made to move appropriately through a hidden mechanism. (If you watch the 4th gif closely you can see the split second where it is replaced by an animated facsimile of the actual handcuff, but just for barely a second.)
4. The crew voluntarily (we know this because it is now a common internal phrase at Disney for putting in extra work for small but significant reward) decided to make Roger bump the lamp and give the entire scene a constantly moving light source that had to be matched between the on set footage and Roger. This was for two reasons, A) Robert Zemeckis thought it would be funnier, and B) one of the key techniques the crew employed to make the audience instinctually accept that Toons coexisted with the live action environment was constant interaction with it. This is why, other than comedy, Roger is so dang clumsy. Instead of isolating Toons from real objects to make it easier for themselves, the production went out of its way to make Toons interact more with the live action set than even real actors necessarily would, in order to subtly, constantly remind the audience that they have real palpable presence. You can watch the whole scene here, just to see how few shots there are of Roger where he doesn’t interact with a real object.
The crew and animators did all of this with hand drawn cell animation without computerized special effects. 1988, we were still five years out from Jurassic Park, the first movie to make the leap from fully physical creature effects to seamlessly integrating realistic computer generated images with live action footage. Roger’s shadows weren’t done with CGI. Hoskin’s sightlines were not digitally altered. Wires controlling the handcuff were not removed in post.
Who fucking Framed Roger fucking Rabbit, folks. The greatest trick is when people don’t realize you’re tricking them at all.
May 4, 2014 14:49
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Luke Skywalker (Mark Hamill) and Yoda get a visit from Kermit & Miss Piggy on set of “The Empire Strikes Back” (1980)
May the 4th Be With You!
May 3, 2014 23:41
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May 3, 2014 23:05
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I spent the entire afternoon cleaning my house after I watched this, and can’t STOP THINKING ABOUT THIS EPISODE. AHHH.
(Source: madsmikkelsoned)
May 3, 2014 22:39
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Paying Off Debt 101
Years old but I still laff every time
May 3, 2014 11:10
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Ko no mono preview for those like me who were looking for it. ^^
OMG, THE FLAMING WHEELCHAIR!!! That doesn’t look like Freddie in the chair at all though. What’s going on?!
May 3, 2014 01:21
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You remember that post about the homestuck t-shirt design contest collaborating with hot topic? And how Hot Topic are the biggest art thieves? This is recent. As you can see above, I stumbled upon Hot Topic’s website and they are selling a very popular fan art put on a t-shirt, and did not ask permission from the original artist (rismo).
This shows Hot Topic still continues their art thievery. Hot Topic are still taking art from artists without their permission. This is disrespectful and appalling.
EXCEPT YOU DID GIVE THEM YOUR PERMISSION.
BY AGREEING TO TERMS AND CONDITIONS ON DEVIANT ART.
THEY SOLD IT TO A THIRD PARTY ROYALTY-FREE.
We appreciate the rallying of the community around the rights of this artist. Rights and ownership of artwork are an important cause which we do not take lightly. To clarify:
DeviantART does not retain any ownership nor right to ownership of any artwork posted to deviantART. The point of question in our Submission Policy is one which gives us the right to present the artwork you submit to deviantART on deviantART. As stated in our Submission Policy, “Artist at all times retains all right, title and interest in and to the Artist Materials provided by Artist hereunder (including, without limitation, the copyrights in and to the Artist Materials), subject to the non-exclusive rights in the licenses granted to deviantART under this Agreement.” Thus, artwork posted to deviantART may be used in promotional material for deviantART (with all due credit for the work included), but never for non-deviantART commercial purposes, and never without express recognition of the original artist. The artist also always retains the right to remove the work from deviantART at any time, if they so choose.
By the same token, because we do not retain any ownership of artwork submitted to deviantART, we cannot license it to others either (be it individual or company) without the express permission and written agreement of the artist. From section 5 of our Submission Policy: “deviantART will contact Artist in writing about any individual commercial uses of Artist Materials instigated by deviantART.” If deviantART had been involved with this situation in any way, the artist would have been contacted in writing long prior to any commercial use of the artwork.
We assure you that we had no involvement of any kind in this incident. Again, we appreciate the passion with which the art community has come together regarding these circumstances, but as with all things, we’re always on the side of the artist.
May 3, 2014 01:10
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About This Blog
Hi, I'm Tim Lai! I'm a cartoonist living in Ontario, Canada. I like drawing cute and colourful things. This blog is a hub where you can find all of my Tumblr, DeviantArt, Flickr, Blogspot, and other posts in one place.
About My Work
I write and draw Lemon Inc., a comic about a seven-year-old who wants to be a business tycoon when he grows up. Until then, he runs a lemonade stand. You can read it at www.lemon-inc.com.
I have done some professional web and graphic design work, including designing the website for the webcomic, Just Joel. I'm also a member of the webcomic collective, Ink Bomb Comics.
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Other Comics I Like
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