i walked in on my 4 year old nephew sitting alone on his bed eating grapes in the dark and i didn’t even get a chance to say anything before he said “i don’t have answers”
I have long said that in order for any comedy to truly succeed as a story, there has to be meat beneath the jokes. There has to be that moment when it is not funny any more.
Anonymous: Hi Anne, I'm an aspiring comics/illustration/animation artist, and have been thinking about going back to school for graphic design, because I don't have a secure job, and am finding it hard to pay the bills. I think graphic design might be something I could pay the bills with while I continue pursuing comics/illustration/animation on the side, as well as supplementing my pursuit of these things. How have you dealt with the problem of having to pay bills as well as pursuing comics?
Great question! I have another art related job that pays the bills, while making comics on the side. In my case, I’m a concept artist currently working at a video game studio by day! This pays the bills, aaand offers me delicious delicious health insurance, which means I can focus solely on comics when I get home each night!
It’s a bit of a different story with me because I never really made it my intention to pursue comics as a career, or to do it professionally in any capacity. When I was in art college I wanted more than anything to be a concept artist, so everything I did was to reach that goal and, after graduating, I eventually attained it! My comics work was always something I did for myself, just because I needed to tell stories, but never expected to publish or grow much as a comic artist.
I’ve occasionally thought about going to comics full time, but from what I hear it’s very difficult to make enough money to have a living from just that (Especially when you’ve been spoiled by a decent salary for the last 6 years like me). People do it, yes, but I’ve come to feel like the fear or uncertainty of not having a steady income would actually make it harder for me to make comics. My compromise is having a day job that not only I enjoy, but one that actually helps me grow as an artist, which is a tool I can then bring back to my comic work.
If you think going back to school is going to help you, and you think you’ll enjoy the graphic design work, go for it!
Anonymous: Hello! It's been 6 years since I graduated college. I'd like to work on breaking into animation in one way or another, either through design, concept, or storyboarding. In your experience, do you see a lot of older people fresh into the industry? Would a 30+ year old have a chance at getting a foot in the door? From social media, I see so many young people announcing they've gotten a job, that it's really discouraging and I feel less motivated if I think my age will affect getting hired. Thx!
Hi! First off, I wanna say that it took me about 5 years after graduation to get my foot in the door. I was 28 when that happened. To be honest, it’s not your age, it’s your skills that get you hired. I know it seems really tough and that it feels like every super young kid right out of school (or even still in school) is getting work immediately but I try to think of it this way– If you’re about my age, or older– we didn’t have what so many of the kids today had growing up concerning computers and internet. Even less so if you grew up in an area that didn’t have much to do with the industry.
My best friend Kyle and I have discussed it before, and he noted that it feels like we grew up just in between the analog and digital age. I totally agree because when I was in school, we had computers but things were so basic concerning the software, the hardware, and then the whole thing going on with internet, blogs, and videos. Today, kids have access to a plethora of tools, and this is especially so with online guides, tutorials, lessons, and demos. My mind melts to think of how I could have developed my drawing skills and photoshop technical abilities if I’d had access to the stuff that’s been out for the past 5-8 years— just a few years earlier than we got it. It’s crazy. I grew up in Maine and I didn’t really have much to relate to concerning my interests when I was in school and learning, or in my spare time. I remind myself though, that it was out of my control. I also remind my self that we never stop learning so it’s okay. There’s time to learn and get better.
That leads me to this point: Your age does not matter. Your skills do. I wanted to ask my friends what they felt about the subject and I got a lot of responses. Some of them were from folks who are in the same kinda boat you are. They’re still trying, and they too feel frustrated sometimes. You are NOT alone. Something I hope everyone can remind themselves of is that– and to remind themselves to not get discouraged (which can be hard I know), but to rather take that feeling and use it to drive them to learn, improve, and get better. That is what I found worked for me.
I hit a super crappy part of my life, I got dealt a super shit hand of cards, and I realized it pretty much couldn’t suck any worse. I took that sadness, anger, and overall helplessness and used it as my energy to make myself get off my butt and get better. Everyone does things differently, and that’s what I found worked best for me.
Enough about my path, though– the meat and potatoes of the discussion are the amazing responses I got from friends about the subject at hand:
Greg Colton, a Director at 20th Century Fox Animation had this to say concerning age, talent, passion and persistence:
“Studios
don’t care about age or even what school you went to. Passion, drive,
talent will get you the job. Never get down on yourself by comparing to
others and never fear being persistent. A rejection isn’t really the
worst thing - not even trying is worse.
I know things are a little different now for job hunters with the
internet & social media, but I think confidence and persistence is
still a fundamental truth. I can’t tell you how many artists I know who
are afraid to even approach a potential
job due to fears - “Oh, they won’t hire me because of (insert excuse)”.
How can they hire you if you don’t approach them? My portfolio was
absolutely terrible - but I was persistent. You have better odds when
communicating with a potential employer and getting on their radar. I
“beat out” far superior artists because the people hiring saw someone
who really wanted to work on their show vs a great but “silent”
portfolio sitting on their desk.”
He makes an absolutely important point– you have to keep trying.
You never know what will happen, and if you don’t try, you’re not even giving that a chance.
Amanda Wong responded:
“It’s
been in my experience that studios don’t care about your age at all,
but it is a totally valid feeling that you’re getting passed by all
these early-20s grads. My career didn’t really take off until I was 27,
not 30+ but still a little bit older and
for three years or so (2008-2010) I was pretty angsty about my younger
classmates getting jobs and me still struggling. I know of a lot of co
workers who are in their mid to late 30s, with spouses and a child, and
still graduated school recently and made it into the industry.”
And it is possible to get into the industry even if you’re not a young kiddo fresh out of school. There is no one way to go about it. Life can happen, and you can still work on your focus and goal of getting in the industry. Also importantly– you’re not alone in that feeling of frustration at seeing others get there faster than you.
Kyrstin Avello said:
“I can’t speak personally as I was mid-20’s when hired, but! My art lead
went to school for animation, and didn’t start working at our company
until his mid 30s, I believe. And a fellow core artist was in the
military for a few years before going to art
school, and he was hired at 30. So it has been done, and in a harsh
market of Chicago no less. But I totally get it, it’s so tough seeing
programs for college students/recent grads, and 18-20 year olds getting
jobs “easily” out of school. What a good Q! Would love to hear more
insight from others.”
And when it comes to age, My best friend Kyle A. Carrozza mentioned that he hired someone who is 41 for their first animation gig :)
As other folks responded, they mentioned things and gave advice that can help you get your foot in the door.
Anne Walker Farrell gave some excellent advice:
“My
advice - for someone my age trying to break in - would be to make your
art stand out. Make it AMAZING, and never assume that you’re the best
artist in the room. I keep seeing artists 8-10 years younger than me
who can draw me under the table and it’s equal parts terrifying and motivating.
Also
- go to events, meet people, network, and be friendly and courteous.
People will remember you if you’re a cool person. They’ll also remember
if you’re a jerk, so plan accordingly.”
and Kristen Bailey makes an excellent point:
“My
latest gig isn’t animation but video games and I got this job by
exhibiting at conventions and the client looking through my portfolio
there. There’s many ways to get into the business and several ways of
getting your name out there.”
Try different things to get your name out there– and don’t forget that your skills could be just at home in the video game and other industries :)
and Bill Drastal notes:
“Another
point is a lot of breaking in isn’t just what you know but who you
know, and who knows you and what you can do. Get out there and meet
people.”
So ultimately, there’s a lot of folks who are in the same situation, but do not lose hope! Keep working hard, and hone your craft. Also, don’t let the whole age thing get you down. Your passion for the craft is what can also help you get your foot in the door, or back in the door again. Times have changed, we all learn differently, and there is no age limit to learning, improving, and getting a job. You are super rad, and you can do it! I know you can :D
I hope these responses, knowledge, and advice from folks gives you a boost, and I hope it helped! Please let me know if I can elaborate more! :D
Wanted to re-share this with you all since I want you to remember to keep at your goals and don’t give up :) You’re awesome, and I know you can do it!
Here is a selection of trans female characters from a range of comics. For more comics with trans female characters, look through our tumblr tag and our tagpacker. Reblog with your own trans female characters or your webcomic favorites!
A webcomic about college freshmen in the girls wing within a co-ed dorm at Indiana University, learning everything about life and themselves usually in the most difficult ways.
Here is a selection of trans male characters from a range of comics. For more comics with trans male characters, look through our tumblr tag and our tagpacker. Reblog with your own trans male characters or your webcomic favorites!
Lee is a seventeen-year-old with a dumb haircut, an interest in pharmacology, and an ability to hear cats talk. He’s also in love with his best friend. (complete)
Sam is the shy and awkward new witch in a small town. After opening up an apothecary clinic, he gets acquainted with Santiago, the local werewolf who struggles with issues of self identity. (complete)
Seeing Him is about Kate, a nerd and skating rink owner, and Adam, a trans man and a doctor. Together they fall in love and embark on mischievous malarkey with their outrageous friends. (complete)
A comic that discusses the trans male experience through the story of Mel, who takes the big risk of being himself and transitioning from female to male. (complete)
YES <3
It’s my boy Sam!! I am going to check out everything on this list I haven’t read yet IMMEDIATELY
-Waiting for trades instead of buying singles does not make you less of a comic fan.
-Prefering digital over physical does not make you less of a comic fan.
-Only having one or two titles on your pull list does not make you less of a comic fan.
-Getting all your comics from your local library does not make you less of a comic fan.
-Only having the time to pick up your comics once or twice a month does not make you less of a comic fan (though please check if this is okay with your store).
-Rereading the same 6 titles you love over and over again because you just don’t connect with other things does not make you less of a comic fan.
-Not reading “Big Two” comics does not make you less of a comic fan. Same with only reading “Big Two” titles.
-Don’t let anyone tell you the way you enjoy comics is wrong.
-If you love comics you are a comic fan. Plain and simple.
Yes, it’s true: if you want to never grow or change or gather any sort of wisdom or perspective on life, you should surround yourself with people who are not only not as good as you, but who worship and defer to you.
the only mofos in my circle are people that I CAN LEARN FROM. i believe THAT is the first and foremost rule to a successful life. you are going to be as educated and successful as the 10 most frequented people you call/text on your phone
identify talented people around you and then instead of going into competition with them, or trying to wipe them out, make alliances, make creative friendships that allow you and your friends to grow together, because someday your friend is going to be sitting across a desk from you running a movie studio.
Hi, I'm Tim Lai! I'm a cartoonist living in Ontario, Canada. I like drawing cute and colourful things. This blog is a hub where you can find all of my Tumblr, DeviantArt, Flickr, Blogspot, and other posts in one place.
About My Work
I write and draw Lemon Inc., a comic about a seven-year-old who wants to be a business tycoon when he grows up. Until then, he runs a lemonade stand. You can read it at www.lemon-inc.com.
I have done some professional web and graphic design work, including designing the website for the webcomic, Just Joel. I'm also a member of the webcomic collective, Ink Bomb Comics.
scoobydoomistakes: